A profile of Fr Dunstan Massey OSB, whose artwork has filled Westminster Abbey for decades, reflecting a life formed by monastic community and the Rule of Saint Benedict
As part of our series on Benedictine artists, we examine how Br. Thomas Hessler OSB integrates his creative practice into his ongoing leadership as Prior of Europakloster Gut Aich.
A Benedictine monk of the Abbey of Tepeyac, Father Gabriel Chávez de la Mora OSB was a seminal figure in the renewal of contemporary sacred architecture and liturgical art in Mexico.
The striking Beuronese murals in Conception Abbey’s Basilica were the first in the United States, executed by its own monks after the 1893 tornado. They testify to the monastery's aspirations and preserve a replica of the destroyed Emaus originals.
A monk of Glenstal Abbey explores the intersection of contemporary figuration and systematic theology, suggesting that the artistic vocation finds its fullest expression within the monastic life.
For the feast of the Epiphany, the editors of the NEXUS Bulletin feature John Frontispiece, The Word Made Flesh, a frontispiece from The Saint John’s Bible, a landmark Benedictine project rooted at Saint John’s Abbey.
A profile of Fr Dunstan Massey OSB, whose artwork has filled Westminster Abbey for decades, reflecting a life formed by monastic community and the Rule of Saint Benedict
As part of our series on Benedictine artists, we examine how Br. Thomas Hessler OSB integrates his creative practice into his ongoing leadership as Prior of Europakloster Gut Aich.
A Benedictine monk of the Abbey of Tepeyac, Father Gabriel Chávez de la Mora OSB was a seminal figure in the renewal of contemporary sacred architecture and liturgical art in Mexico.
The striking Beuronese murals in Conception Abbey’s Basilica were the first in the United States, executed by its own monks after the 1893 tornado. They testify to the monastery's aspirations and preserve a replica of the destroyed Emaus originals.
A monk of Glenstal Abbey explores the intersection of contemporary figuration and systematic theology, suggesting that the artistic vocation finds its fullest expression within the monastic life.
For the feast of the Epiphany, the editors of the NEXUS Bulletin feature John Frontispiece, The Word Made Flesh, a frontispiece from The Saint John’s Bible, a landmark Benedictine project rooted at Saint John’s Abbey.
